Two-dimensional Public Space: The Kabuki Play "Kanadehon Chūshingura" Transposed into 19th-century Woodblock Prints

Autorzy

Aleksandra Görlich
Manggha Museum of Japanese Art and Technology, Kraków

Streszczenie

Biogram autora

Aleksandra Görlich - Manggha Museum of Japanese Art and Technology, Kraków

graduated in art history at the Jagiellonian University, formely curator at the Manggha Museum of Japanese Art and Technology, a member of the Polish Institute of World Art Studies. Authoress of articles about Japanese art and culture such as Ichigo Ichie. Wchodząc na Drogę Herbaty (2008), Dramat zastygły w drzeworycie. Historia czterdziestu siedmiu roninów w serii drzeworytów Hiroshige (2009), Wielowątkowe piękno. Techniki dekoracyjne tkanin japońskich (2015). Researcher on the Chūshingura subject in Japanese woodblock print since 2003. In 2012 she prepared an exhibition de-voted to this topic, entitled Treasury of Loyal Retainers. The Drama of the 47 Ronin, accompanied by a catalog of a collection of woodblock prints from the collection of the National Museum in Krakow illustrating the Chūshingura subject.

Zapowiedzi

9 grudnia 2019

Jak cytować

Görlich, Aleksandra. 2019. „Two-Dimensional Public Space: The Kabuki Play «Kanadehon Chūshingura» Transposed into 19th-Century Woodblock Prints”. W Japanese Civilization: Tokens and Manifestations, zredagowane przez Patrycja Duc-Harada, Dariusz Głuch, i Senri Sonoyama. Poland: Wydawnictwo Księgarnia Akademicka. https://doi.org/10.12797/978838138072.03.