Two-dimensional Public Space: The Kabuki Play "Kanadehon Chūshingura" Transposed into 19th-century Woodblock Prints

Autorzy

Aleksandra Görlich
Manggha Museum of Japanese Art and Technology, Kraków

Streszczenie

Biogram autora

Aleksandra Görlich - Manggha Museum of Japanese Art and Technology, Kraków

graduated in art history at the Jagiellonian University, formely curator at the Manggha Museum of Japanese Art and Technology, a member of the Polish Institute of World Art Studies. Authoress of articles about Japanese art and culture such as Ichigo Ichie. Wchodząc na Drogę Herbaty (2008), Dramat zastygły w drzeworycie. Historia czterdziestu siedmiu roninów w serii drzeworytów Hiroshige (2009), Wielowątkowe piękno. Techniki dekoracyjne tkanin japońskich (2015). Researcher on the Chūshingura subject in Japanese woodblock print since 2003. In 2012 she prepared an exhibition de-voted to this topic, entitled Treasury of Loyal Retainers. The Drama of the 47 Ronin, accompanied by a catalog of a collection of woodblock prints from the collection of the National Museum in Krakow illustrating the Chūshingura subject.

Opublikowane

9 grudnia 2019

Jak cytować

Görlich, A. (2019) “Two-dimensional Public Space: The Kabuki Play ‘Kanadehon Chūshingura’ Transposed into 19th-century Woodblock Prints”, in Duc-Harada, P., Głuch, D., and Sonoyama, S. (eds.) Japanese Civilization: Tokens and Manifestations. Poland: Wydawnictwo Księgarnia Akademicka. doi:10.12797/978838138072.03.